Summer Read #1

In this episode of "A Pane In The Glass Podcast" I begin the narration of "Tuck Everlasting" by Natalie Babbitt. Like the two children's stories I also narrated ("He Sweeps, He Scores" and "The Search For Delicious") they are for young people on holiday, who might a story expertly crafted for them. "Tuck Everlasting" is just such a story and it's for young people getting ready for the next stage of their life journey. This episode repeats the short prologue from last week's episode and begins the story with chapters one, two & three. Parents and grandparents, this is an excellent story to hear together with those young family members and friends!

Transcript

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Welcome to just not another episode of a pain in the glass podcast, but a very special one. This I'm gonna call Summer Reads Number One. Now, what's this all about? Well, first of all, this is Bill Shearhart, Chartered Professional Coach with Coaches of Canada, coming to you from my home in Grand Bend, Ontario, on the ancestral land of the Kettle and the Stony Point First Nations. If you were with me last week, you'll have a pretty good idea of what this is all about, but I am going to repeat a little bit of it for people who perhaps weren't with us last week. Now that we're into the summer season, I'm going to reprise something that I've done twice in the past, and that is narrate a story for young people. Two or three years ago I did one called He Sweeps He Scores. And in not so distant past, a story by Natalie Babbitt, The Search for Delicious. This one is called Tuck Everlasting. And it is not a children's story. It is for um pre-adolescents, uh, especially if you have someone in your circle of friends or in your family who are perhaps graduating from their junior elementary school and getting ready for high school. This is a really good story for them. It's about the meaning of life expressed in a way that they will understand. And I said, as I said, the story is called Tuck Everlasting. So today I am going to repeat the prologue. It's not very long. And chapters one, two, and three of Tuck Everlasting by Natalie Babbitt.

Prologue

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The first week of August hangs at the top of summer. The top of the live long near. Like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn. But the first week of August is motionless and hot. It is curiously silent as well, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days. When people are led to do things, they are sure to be sorry for after. One day at that time, not so very long ago, three things happened, and at first there appeared to be no connection among them. At dawn, May Tuck set out on her horse for the wood at the edge of the village of Tree Gap. She was going there, as she did once every ten years, to meet her two sons, Miles and Jesse. At noontime, Winnie Foster, whose family owned the Tree Gap Wood, lost her patience at last and decided to think about running away. And at sunset, a stranger appeared at the Foster's gate. He was looking for someone, but he didn't say who. No connection, you would agree, but things can come together in very strange ways. The wood was at the center, the hub of the wheel. All wheels must have a hub. A Ferris wheel has one, as the sun is the hub of the wheeling calendar. Fixed points they are and best left undisturbed, for without them nothing holds together. But sometimes people find this out much too late.

Chapter #1

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Chapter one The road that led to Tree Gap had been trod out long before by a herd of cows who were, to say the least, relaxed. It wandered along in curves and easy angles, swayed off and up in a pleasant tangent to the top of a small hill, ambled down again between fringes of bee hung clover, and then cut sideways across a meadow. Here its edges blurred. It widened and seemed to pause, suggesting a tranquil bovine picnic, slow chewing and thoughtful contemplation of the infinite. And then it went on again and came at last to the wood. But on reaching the shadows of the first trees, it veered sharply, swung out in a wide arc as if for the first time it had reason to think where it was going and passed around. On the other side of the wood, the sense of easiness dissolved. The road no longer belonged to the cows. It became, instead, and rather abruptly, the property of the people. And all at once the sun was uncomfortably hot, the dust oppressive, and the meager grass along its edges somewhat ragged and forlorn. On the left stood the first house, a square and solid cottage, with a touch me-not appearance, surrounded by grass cut painfully to the quick, and enclosed by a capable iron fence some four feet high, which clearly said, Move on, we don't want you here. So the road went humbly by and made its way past cottages more and more frequent but less and less forbidding, into the village. But the village doesn't matter except for the jail house and the gallows. The first house only is m important. The first house, the road, and the wood. There is something strange about the wood. If the look of the first house suggested that you'd better pass it by, so did the look of the wood, but for quite a different reason. The house was so proud of itself that you wanted to make a lot of noise as you passed, and maybe even throw a rock or two. But the wood had a sleeping, otherworldly appearance that made you want to speak in whispers. This at least is what the cows must have thought. Let it keep its peace. We won't disturb it. Whether the people felt that way about the wood or not is difficult to say. There were some, perhaps, who did, but for the most part, the people followed the road around the wood because that was the easy way it led. There was no road through the wood. And anyway, for the people, there was another reason to leave the wood to itself. It belonged to the fosters, the owners of the Touch Me Not Cottage, and was therefore private property, in spite of the fact that it lay outside the fence and was perfectly accessible. The ownership of land is an odd thing when you come to think about it. How deep, after all, can it go? If a person owns a piece of land, does a he or she own it all the way down in ever narrowing dimensions till it meets all other pieces at the center of the earth? Or does the ownership consist only of a thin crust under which the friendly worms have never heard of trespassing? In any case, the wood, being on top, except of course for its roots, was owned butt and bow by the fosters in the Touch Me Knot cottage. And if they never went there, if they never wander in among the trees, well, that was their affair. Winnie, the only child of the house, never went there, though she sometimes stood inside the fence, carelessly banging a stick against the iron bars and looked at it. But she had never been curious about it. Nothing ever seems interesting when it belongs to you only when it doesn't. And what was interesting anyway about a slim few acre of trees? There will be a dimness shot through with bars of sunlight, a great many squirrels and birds. A damp, deep mattress of leaves on the ground, and all the other things just as familiar, if not so pleasant, things like spiders, thorns, and grubs. In the end, however, it was the cows who were responsible for the wood's isolation, and the cows, through some wisdom, they were not wise enough to know that they possessed, were very wise indeed. If they had made their road through the wood instead of around it, then the people would have followed the road. The people would have noticed the giant ash tree at the center of the wood, and then in time they'd have noticed the little spring bubbling up among its roots in spite of the pebbles piled there in an attempt to conceal it. And that would have been a disaster so immense that this weary old earth, owned or not to its fiery core, would have trembled on its axis like a beetle on a pin.

Chapter #2

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Chapter two And so at dawn, that day in the first week of August, May Tuck woke up and lay for a while, beaming at the cobwebs on the ceiling. At last she said aloud, The boys will be home tomorrow. May's husband, on his back beside her, did not stir. He was still asleep, and the melancholy creases that folded his daytime face were smoothed and slack. He snored gently, and for a moment the corners of his mouth turned up with something of a smile. Tuck almost never smiled, except in his sleep. May sat up in bed and looked at him tolerantly. The boys will be home tomorrow, she said again, a little more loudly. Tuck twitched and the smile vanished. He opened his eyes. Why'd you have to wake me up? he sighed. I was having that dream again. The good one, where we're all in heaven and never heard of Tree Gap. May sat there frowning, a great potato of a woman with a round, sensible face and calm brown eyes. It's no use having that dream, she said. Nothing's going to change. You tell me that every day, said Tuck, turning away from her onto his side. Anyways, I can't help what I dream. Maybe not, said May. But all the same, you should have got used to things like that by now. Tuck groaned. I'm going back to sleep, he said. Not me, said May. I'm going to take the horse and go down to the wood to meet them. Meet who? The boys, Tuck, our sons. I'm going to ride down to meet them. Better not do that, said Tuck. I know, said May, but I just can't wait to see them. Anyways, it's ten years since I went to Tree Gap. No one'll remember me. I'll ride in at sunset just to the wood. I won't go into the village. But even if someone did see me, they won't remember. They never did before now, did they? Well suit yourself, then, said Tuck into his pillow. I'm going back to sleep. May Tuck climbed out of bed and began to dress. Three petticoats, a rusty brown skirt with one enormous pocket, an old cotton jacket, and a knitted shawl which he pinned across her bosom with a tarnished metal brooch. The sounds of her dressing were so familiar to Tuck that he could say without opening his eyes, You don't need that shawl in the middle of the summer. May ignored this observation. Instead she said, Will you be all right? We won't be back till late tomorrow. Tuck rolled over and made a rueful face at her. What in the world could possibly happen to me? Well, that's so, said May. I keep forgetting. Well I don't, said Tuck. Have a nice time, and in a moment he was asleep again. May sat on the edge of the bed and pulled on a pair of short leather boots so thin and soft with age, it was a wonder that they held together. Then she stood and took from the washstand beside the bed a little square shaped object, a music box painted with roses and lilies of the field. It was the one pretty thing she owned, and she never went anywhere without it. Her fingers strayed to the winding key on its bottom, but glancing at the sleeping tuck, she shook her head, gave the little box a pat, and dropped it into her pocket. Then, last of all, she pulled down over her ears a blue straw hat with a drooping exhausted brim. But before she put on the hat, she brushed her grey brown hair and wound it into a bun at the back of her neck. She did this quickly and skillfully without a single glance in the mirror. May Tuck didn't need a mirror, though she had one propped up on the washstand. She knew very well what she would see in it. Her reflection had long since ceased to interest her. For May Tuck and her husband, and Miles and Jesse too had all looked exactly the same for eighty-seven years.

Chapter #3

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Chapter three. At noon of that same day in the first week of August, Winnie Foster sat on the bristly grass just inside the fence and said to the large toad who was squatting a few yards away across the road, I will, though, you'll see, maybe even first thing tomorrow, while everyone's still asleep. It was hard to know whether the toad was listening or not. Certainly Winnie had given a good reason to ignore her. She had come out to the fence very cross, very near the boiling point on a day that was itself near to boiling, and had noticed the toad at once. It was the only living thing in sight except for a stationary cloud of hysterical grass suspended in the heat above the road. Winnie had found some pebbles at the base of the fence, and for lack of any other way to show how she felt, she flung one at the road. It missed altogether, as she finally intended that it should. But she made a game of it anyway, tossing pebbles at such an angle that passed through the gnat cloud on their way to the road. The gnats were too frantic to notice these intrusions, however, and since every pebble missed its final mark, the toad continued to squat and grimace without so much as a twitch. Possibly it felt resentful. Or perhaps it was only asleep. In either case it gave her not a glance when at last she ran out of pebbles and sat down to tell it her troubles. Look here, Toad, she said, thrusting her arms through the bars of the fence and plucking at the weeds on the other side. I don't think I can stand it much longer. At this moment a window at the front of the cottage was flung open, and a thin voice, her grandmother's, piped, Winnifred, don't sit there on that dirty grass. You'll stain your boots and stockings. Another firmer voice, her mother's, added, Come on now, Wendy, right away. You'll get heat stroke out there on a day like this, and your lunch is ready anyway. See, said Winnie to the toad, that's just what I mean. It's like that very minute. If I had a sister or a brother, there'd be someone else for them to watch. But as it is, it's only me. I'm tired of being looked at all the time. I want to be by myself for a change. She leaned her forehead against the bars and after a short silence, went on in a thoughtful tone. I'm not exactly sure what I'd do, you know, but something interesting, something that's all mine. Something that would make some kind of a difference in the world. It'd be nice to have a new name, to start with, one that's not all worn out from being called so much. And I might even decide to have a pet. Maybe a big old toad like you that I could keep in a nice cage with lots of grass and at this the toad stirred and blinked. It gave a heave of muscles and plopped its heavy mud ball of a body a few inches farther away from her. I suppose you're right, said Winnie. Then you'd just be the way I am now. Why should you have to be cooped up in a cage too? It'd be better if I could be like you, out in the open and making up my own mind. I do know they've hardly ever let me out of this yard all by myself. Do you know they hardly ever let me out of this yard all by myself? I'll never be able to do anything important if I stay in here like this. I expect I'd better run away. She paused and peered anxiously at the toad to see how it would receive this staggering idea. But it showed no sign of interest. You think I wouldn't dare, don't you? she said accusingly. I will, though, you'll see, maybe even first thing in the morning while everyone's still asleep. Winnie came the firm voice from the window. All right, I'm coming, she cried, exasperated, and then added quickly. I mean I'll be right there, mamma. She stood up, brushing at her legs, where bits of itchy grass clung to her stockings. The toad, as if it saw that the interview was over, stirred again, bunched up, and bounced itself clumsily off toward the wood. Winnie watched it go. Hop away, toad, she called after it. You'll see. Just wait until morning. Well, we definitely have a mystery on our hand, and in the prologue, just to repeat, there were three things that were happening that were kind of inexplicable. Again, at dawn, May Tuck sat out on her horse for the wood at the edge of the village of Tree Gap. She was going there. And she did then listen to this as she did once every ten years to meet her two sons, Miles and Jesse. That was the first thing. Secondly, at noontime, Winnie Foster, whose family owned the Tree Gap Wood, lost her patience at last and decided to think about running away. And thirdly, and at sunset, a stranger appeared at the Foster's gate. He was looking for someone, but he didn't say who. Well, there's the first three chapters of Tuck Everlasting. And so I hope that you will be interested in forwarding this to uh young people. Uh as I said, uh pre-adolescent uh is the perfect group for this. So until next time, when we pick it up with chapter four, five, and six. Wherever you are, stay safe. Enjoy summer. And this was Summer Reads episode for young people, a story called Tuck Everlasting. Until next time.